Capture One has capture one 12 pro sony free its development roadmap for the rest of Each piece will work seamlessly with the others, promising a flexible, collaborative workflow across multiple devices. The roadmap is the latest in a series of steps Capture One has taken to жмите сюда more transparent with its users. I am absolutely delighted to share our progress, position, and plans with the creative community who has been, and continues to be our inspiration.

Before looking ahead, let’s briefly look back at what Capture One has been up to in the past year. Capture One has added Apple silicon support to its software and launched its latest major release, Capture One The newest version of the photo editing application includes many new features, such as HDR Merge and Panorama Stitching.

The company also launched Capture One Livea new way for photographers to collaborate from anywhere. Speaking of Capture One Pro for desktop, the latest beta version, The Capture One team is focused on improving workflow efficiency, delivering a smoother user experience, and improving onboarding for new users.

The team is also continually improving the software’s raw conversion performance and tethering performance. Capture One Live is a remote collaboration platform that allows users to share images from a photoshoot in real-time to any device. You can also collaborate on some editing on the platform. The team is working on making collaboration smoother and improving overall performance. Capture One for iPad is coming soon. Windows 10 remote desktop multiple monitors free download beta version is on track to release sometime next month.

This release will be a major one for Capture One and help bring Capture One on parity with Adobe Lightroom and Photoshop, which both include iPad versions. Capture One for iPad will provide users with more flexibility. Capture One will also bring its software capture one 12 pro sony free iPhone inadding another element of versatility to the ecosystem. We envision the amazing new products and all the ways they’ll enable photographers and creatives of all types to create their best work, anytime, anywhere.

Bringing Capture One to iPad is a critical part of that, and along with Capture One Live—and further out Capture One for iPhone—we are looking to provide photographers with the most powerful ecosystem of creative and collaborative tools. And, further equipped with easy file transferring, they’ll be able to pick up where they left off in the creative process across devices. Stick capture one 12 pro sony free us on this journey, and we’ll keep you involved every step of the way,’ said Orta.

For more information on Capture One, visit its website. Capture One 22 is available as a perpetual license or subscription. You can download a day free trial of the software by clicking here.

Looking at the feature-list, the main differences seem to be: PTGui offers masking, which is handy e. C1 outputs a raw image. I wonder, if session users would appreciate feature for a metadata “search engine”. I want to search meta data across all my sessions just like if they were in one catalog. I use C1 in conjunction with Mylio to do this and it works well. All tagging, keywords, facial recognition etc stored within XMP companion files and can be read LR as well.

All my sessions are stored and managed посмотреть больше Mylio like a file browser and it’s search capabilities allow you to find the file and you can right click and go to the session folder to do edits. Very good idea. Capture one 12 pro sony free storage happens to be a Linux server so I found shotwell as a nice workaround. I’ve always liked the C1 results, but it’s just too expensive. I’ve learned to use other, cheaper, software competently to compensate.

Lots of good stuff out на этой странице if you shop around and commit to learning that stuff. The last two upgrades 21 and 22 where underwhelming at best. The new features are half-developed. At the same time there was a hike in prices. Consumers will not tolerate this policy in the long run. C1 23 needs to be a substantial better upgrade or there will be an exodus towards adobe again.

Agreed, i’m not upgrading this time and i’m on the fence if i’ll stick around long term as they continue to ramp up pricing and charge extra for services that Adobe include. They’re going to charge extra for the iPad app and already charge extra for their Live service. Such a shame that Capture One won’t bring this software out on Android as well, given the capture one 12 pro sony free dominance of Android in the mobile marketplace.

I have a large Galaxy Tab tablet with a gorgeous display and I’m certainly not buying an iPad just to run Capture One. The software is expensive enough capture one 12 pro sony free it is. So good to see the effort and I’m sure it will work great on iPad, but it’s wasted on me and most of the market, unfortunately. I can totally understand that move. Apple customers are are one to two magnitudes more willing to pay for something.

And developing for Android is much more challenging because of the many models and Os versions. It is a quality engineers nightmare.

That means Capture One doesn’t have to expect huge sales to justify investing in this port. Porting to Android would require a bigger commitment. Photoshop for Android by Adobe is available on the Play store. As is Lightroom mobile. And On1 Photo Raw. I also would like to challenge the statement saying that Apple customers are 10x to x more willing to pay for something. That to me frankly sounds like something you pulled out of thin air. I’m capture one 12 pro sony free Android user and I’m just as likely to pay for software on my tablet or phone as the next guy is.

There was a time when developing software for Android was a bit harder because of the greater variation in hardware platforms. But franky those days are long gone, which is why a lot of other companies do not have to pretend Andoid users don’t exist or are somehow not worthy of consideration. Michael Berg Look more carefully. The only kind of Photoshop available for Android is Photoshop Express, which is a completely different beast in all but name.

I think it’s less to do about the size of the Mobile market or even the tablet market but the size of the high end powerful tablet market. Android has a huge share of phones, but this capture one 12 pro sony free is made more for a tablet experience than a phone experience, and iPad has a better coverage and this is partly a response to them already supporting the next biggest competition in terms of tablets Windows Surface tablets, which they were supporting capture one 12 pro sony free.

As others mentioned, it’s much easier to port a Mac app to iPad than it is to port Windows to Android, and the wide range of Android devices with a wider range of specs makes it even more complicated to support. Considering the iPad edition wasn’t until apple announced M1 processor powered iPad Pros that C1 announced they were developing for it, I wouldn’t be surprised if they said minimum support for iPad is something with an M1 chip.

I really doubt this could capture one 12 pro sony free on a Fire tablet. If you really want to run everything on device, you really should be looking into browser based capture one 12 pro sony free. This is possible with modern browsers that offer a virtual machine with full access to the underlying hardware.

Witness photopea, onshape, sketchup and even Lightroom as examples of how to do things right. Developing beefy, native clients are really a thing of the past IMO. The browser should be the only required component on the target device. Oh well. Maybe you’re all right and I’m wrong. I just think that as one of the leading providers of professional solutions in this segment, a company like Capture One would be able to come up with something more original and ambitious than “you have to own a very specific model of an iPad”.

That’s just yet another platform to maintain. Browser based solutions utilizing cloud VMs require a solid internet connection, which is not always possible on shoots. LR’s tablet App is not quite a browser solution and RAW processing has some particular complexities which Photopea, Onshape, and Читать статью do not handle.

When wanting to use a mobile device it may be outside a controlled studio where wifi or cell coverage might not be a guarantee. C1’s market has a higher percentage of professionals compared to other programs though recently they have been making some choices that may draw a wider audience so choices they make are often geared towards what is used on a professional set or shoot.

They expect to see high end Surface Tablets with intel processors and iPad Capture one 12 pro sony free more than they expect to see Amazon Fire tablets. The entire point is that the software runs locally in the virtual machine that the browser provides. There is no requirement to be online see Photopea for example. As for the size of capture one 12 pro sony free files from PhaseOne cameras this is a problem that isn’t solved by running a local app. Photopea provided the bare minimum of adjustments for RAW files.

This is a lot more computationally intensive. All processing is to be done locally, so IO is not an issue. Demosaicing, gamma adjustments, color conversion, noise reduction, sharpening, plus a multitude of adjustments with a range of complexity both globally and locally over MP is a lot of processing. Photopea is just an example of how complex, resource-demanding applications can in fact run in the browser. There are no “inherent” problems with performance or storage to overcome, and the features you mention are not missing due to lack of capability in the runtime.

Browsers today offer incredibly powerful, sandboxed runtime environments that are able to achieve the same level of performance as native apps. Loading a mp file is no easier or harder here than doing the same thing in Swift.

I’m sure Capture One has their reasons for going iOS only, but the strategy they have chosen excludes a huge chunk of the market and gives them yet another platform to service and maintain. That cost is passed on to you. It is true browsers do not have the same level hardware control for graphics, such as webGL support is pretty common, but openCL which is more needed for actual computation as photos aren’t drawing cubes in space is kind of dying and CUDA and Metal are not available in the browser.

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Capture One offers Capture One Pro for desktop, a tool to edit, catalog raw image file process, and tether. In , Capture One released its iPad app with key tools to edit on the go and Capture One Live, a free collaboration platform for getting feedback in real-time. Features include [2] smart adjustments, advanced color, styles and presets, high dynamic range, skin tone editing, before and after, film grain, healing and cloning tool, dehaze, layers, keystone correction, black and white conversion, ability to print directly from Capture One, and extension to iPad and iPhone with Capture Pilot, [3] noise reduction, color correction, spot removal, High Dynamic Range tools, lens tools and sharpening tools.

The actual management of the Recipes takes place in the Exporter. The duration of an individual Live Session can now be set to 1 month. You can choose to set different duration while starting a new Live Session. Returning to a previously edited image will now show the correct crop ratio applied in the Crop Tool, making it more intuitive to crop.

Style Packs now show a confirmation when installing, preventing accidentally installing the same pack multiple times. Style Brushes can now be included in Style Packs, enabling the possibility to create more valuable packs. When launching Capture One for the first time as a new user or in beta , a guided tour will appear with seven steps, highlighting important aspects to easily get started with Capture One. This will in the long run provide a more stable, performant application.

When using Auto Keystone, the Guides are now placed according to where Capture One detects lines used for the correction instead of placing them at generic positions. When using a preview size that is smaller than the monitor resolution, performance will be impacted. Capture One will in that case always use the raw file instead of the preview when displaying the edits, which is slower.

To ensure optimal performance, the preview size will automatically be set to match the system when launching Capture One for the first time as a new user. For all users, additional information has been added to the Preview Preferences for better clarity of the optimal setting.

It surfed the web and played Netflix and could do word processing, etc. Well my point is that the display size is ridiculous to do any professional work. Not what you could do if you had to plug it in somewhere or add another device. Well it’s pretty useless to my old eyes, but apparently the cool kids are editing pictures on their phones these days. By editing, do you mean using filters and presets?

For quick uploads to Instagram, sure. But for actual processing of photos like you would in general on a computer I think the phone version will be challenging, again unless you use a dock so you can run your phone like a desktop with a mouse and keyboard and display.

That’s a good question, I don’t know how far folks are going. But even Ted Forbes did a video a couple years back about editing as in full on processing photos on the go. Using phone and tablet together. Hey, it’s not my jam but apparently it is someone’s, because the software is out there. I agree on the iPad part as a “emergency” solution or for quick tethered shoots on the fly.

My final editing will never leave my proper computer with monitor. I only do this for hobby photos on the go. For hobbyists I think it’s fine, although as I had said earlier, it may be challenging. I would much rather do it on a 32″ display at home, but I’ve used my tablet a few times at shoots to get pics on the Socials more quickly.

My old eyes don’t like it as much, but it’s still a valid and occasionally necessary option-at the very least a value-add for a working pro. I like the idea of editing on my tablet but not sure my old regular iPad will have the power to run it. FuhTeng, real enthusiasts or Pros do not edit photos on a ‘tablet’!

Most people do that kind of thing on a desktop, if not at least a high end laptop. How much money would it cost you to put C1 on your tablet? Just leave. As for how much money would it cost to put it on my tablet, that was the point of my original but were you too busy embarrassing yourself to notice that.

I edit on my iPads currently a Pro Especially while traveling. So, still no word on when cataloging in windows becomes actually useable for more than a couple of thousands images? Sigma’s been on a roll with their mirrorless Art series lenses. Does the new 24mm F1.

It brings a new, 25MP sensor and bit 4K capture at up to p. We’ve put it to the test, both in the studio and out in the field. In our tests it delivers big performance and offers a few good reasons why you might choose a 12th-Gen Intel laptop over a Mac. Canon’s high end APS-C mirrorless camera has plenty of compelling features, but is it worth the price?

Jordan took it on vacation to find out. But is it enough to outclass the competition? We dive deep to find out where it excels and what it’s like to fly. These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality.

What’s the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we’ve rounded-up several great cameras for shooting landscapes, and recommended the best. If you’re looking for the perfect drone for yourself, or to gift someone special, we’ve gone through all of the options and selected our favorites.

Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform. In this guide we’ve chosen a selection of cameras that make it easy to shoot compelling lifestyle images, ideal for sharing on social media.

Two of the GPUs are designed for workstation desktops, while a third is for laptops. This second-generation adapter is smaller, faster and quieter than its predecessor. Midwest Photo was burgled late last week after a stolen truck broke through the store’s front entrance. The store is in the progress of recovering from the damage and stolen goods. Photographers should be on the lookout for any suspicious product listings online.

Travel with Peter to see how he shoots, and view some of the spectacular photos he captures along the way. Includes sample gallery. We go hands-on with Sigma’s latest ‘Digital Native’ wide-angle lenses for L-mount and Sony E-mount cameras to see what features they have and what sets them apart from the rather limited competition.

Sony has announced in-camera forgery-proof photo technology for its a7 IV mirrorless camera. The technology, aimed at corporate users, cryptographically signs images in-camera to detect future pixel modification and tampering.

It uses tracks, cords and hooks to store your gear flat against the wall without hiding it from view. The new Sigma 24mm F1. Check out our sample gallery to see how sharp it is, as well as how it handles flare, chromatic aberrations and sunstars.

Sigma’s new 20mm F1. Chris and Jordan run through their absolute favorite lenses for Sony E-Mount, including both Sony lenses and third party options. Nikon has released the financial results for the first quarter of its fiscal year, revealing increased year-over-year revenue and profits. Alfie Cameras is launching its Alfie TYCH next month on Kickstarter, but before then it needs beta testers to see how its triple lens half-frame camera performs.

NASA is preparing for a simulated Mars mission that will house four crew members in a module on Earth. The crew will remotely control drones and rovers to collect rock samples on a simulated Mars.

Skypersonic, a remote control drone company, is supplying mission-critical technology as part of the mission. The explosion created one of the most energetic short-duration gamma-ray bursts ever observed. The Tamron Lens Utility Mobile app is set to launch later this year.

The app will let you use your compatible Android device to control, customize and update compatible Tamron lenses without the need for a computer. The images, which appear to be screenshots from a press briefing, reveal some of the details of the forthcoming lens. The Peter McKinnon camera tool features a patent-pending design that features integrated Phillips and flathead drivers, as well as extendable arms capable of holding four other bits that can be swapped out to fit your needs.

Nikon has updated the firmware for its Nikkor Z 50mm F1. Is this good or bad for the industry, and what are the long-term implications?

It’s a far cry from the conventional lenses you’re used to seeing, but it’s sure to give you a look, unlike any optic you can purchase online. The PGM0. Sigma is set to release new ‘products’ next week, on August 8, What do you think Sigma has in store? Check out some summer vacation photos from beautiful British Columbia to see for yourself. Reading mode: Light Dark. Login Register. Best cameras and lenses. Tags: capture-one , roadmap , software , update. View Comments Comments All Orion09 Can somebody compare the panorama stitching with PTGui capabilities?

Wolfgang Hackl I wonder, if session users would appreciate feature for a metadata “search engine”. MiniMad I use C1 in conjunction with Mylio to do this and it works well. I do all my rating and labeling in mylio prior to C1. Wolfgang Hackl Very good idea. Glen Barrington I’ve always liked the C1 results, but it’s just too expensive.

I have a hard time justifying that price point. Rufty The last two upgrades 21 and 22 where underwhelming at best. MiniMad Agreed, i’m not upgrading this time and i’m on the fence if i’ll stick around long term as they continue to ramp up pricing and charge extra for services that Adobe include. Michael Berg Such a shame that Capture One won’t bring this software out on Android as well, given the massive dominance of Android in the mobile marketplace.

Those two facts make it very easy to decide to not offer an Android version at all. Note that Adobe doesn’t offer an Android version of Photoshop either. Michael Berg If you really want to run everything on device, you really should be looking into browser based solutions. Michael Berg Photopea is just an example of how complex, resource-demanding applications can in fact run in the browser. VM will always have overhead that reduces efficiency.

Let’s agree to disagree and get back to photography. Thank-you and best wishes. Lukus DPR has always reported press releases as news. It’s not like the articles are there in place of reviews. Spectro I like that it is separately priced. Dimot I am still waiting for that Hasselblad support So tired of having to deal with Phocus. David Mantripp You’ll be waiting forever. David Mantripp That’s an interesting suggestion CaPi They seem to be following the same playbook.

Mr Bolton They’ve focused on the Apple user market for a reason. MiniMad starbase, it is a separate subscription – C1 have confirmed if you watch the announcement. Mr Bolton Apparently then, he does know. CaPi It is a different OS. PDL I received an “inquiry” about my ticket from last moth a day or so ago. I don’t see how this has any influence on the Software developed for PCs. PDL A company with limited resources is going to follow the money. Mr Bolton Uggh. But of course, all the problems are automagically Windows’ fault..

DarnGoodPhotos They don’t say anything about phone support. I am using an app called iMazing. Kerensky97 I was wondering how this system will share pictures for collaboration. Waiting for the iPad Version since years! Artem Holstov Akgbkd how do you know? Akgbkd artem Captureone answered these questions on instagram.

Artem Holstov Akgbkd thanks, well then it will be pretty useless until they add masks and layers :. MacUser2 It would be better news if they got off their butts and made C1, 22 perform as good as their prerelease marketing.

Puppy As soon as there are more than 0. Becksvart Well, there’s no Lightroom to compete with there : Though this Linux user is happy with the open source options available and does not need another accelerating repeated cost.

Hans J Linux is still around? LJ – Eljot I actually would, but one of my Eizo monitors is too old, so that Colournavigatior 7 does not support it. Nicolas Det The issue with Linux.. RhonaldJR “most Linux users do not pay for software” it’s not true. RhonaldJR tkbslc: There isn’t any commercial software for the target crowd in Linux. RhonaldJR Valve disagrees with you. They see a big potential. So, I am using Linux and I buy software. CaPi I think wo should stop calling it Linux and name its flavors.

Mr Bolton That already happens to an extent, such as Ubuntu which, while free, has a company behind it with paid support if needed. Peter Hayward For me, C1 is too expensive vs Adobe. TonyC5D ergo Err.. Has this any relevance here? MDNL35 Ehh.. Kerensky97 Wasn’t it Capture One that had an option to import externally created lens profiles?

Impulses RF is a bit of a special case compared to the other mirrorless mounts because it seems no one has any access to the profiles besides Canon Impulses Adobe and Capture One are literally the only development programs that have some semblance of a relationship with lens makers like that and some direct access to profiles etc btw.

I must check for the C1 22 update. Ergo I thought Fuji had a foot inside C1, so that is strange indeed. MacUser2 C1 is a small company and they lack the bandwidth to both develop new products and clean-up the mess with C1, Francis85 Exactly – If Capture One can’t get their products to work as advertised in the first place then its pretty ridiculous and pretentious to release an iPad version of their software.

Francis85 Actually there is a file management system on iOS in which you can place, load, copy, open, duplicate, share and move files of any kind and within and from folders. The world would be a better place if people were kinder to each other? JakeB amateurphotograper The world would also be a better place if people like you did not spread false or misleading information about topics you are uninformed about.

KrisAK Do the iPad versions e. Adam Maas I’d like to see C1 offer integration with real cloud storage AWS, Azure, etc as well as pre-configured or consumer cloud options.

Discombobulated Nice interface, it makes LRc look dated. Sure we need C1 to edit instagram selfies on a phone. EricWN the joke being that no phone software being mentioned in the article? Mr Bolton “iPhone and iPad” sounds like phone software being mentioned. If you’re only going to use it for a couple of months to try it out, choose monthly fee.

If you’re always updating everything to the latest version, get the yearly fee. If you’re not planning to upgrade until you upgrade your camera, and you do that every 3 or 4 years, get the perpetual licence.

Just don’t get the perpetual licence expecting it to be updated, or the yearly and complain it wasn’t updated enough I agree. I bought C1 not that long ago and don’t qualify for the free upgrade, boo! As it is, C1 21 does more than I need it to, which is to add my own simple colour style to my images.

I doubt the newer version adds anything critical for me so could easily wait a good number of years before upgrading. I was always skipping one version before updating, but with current price policy of Phase One, that doesn’t seem possible anymore. C1 has the worst licensing models. I bought it because of its perpetual promise which falls flat the moment you get a new camera but want to be using the same limited functions in the version you bought.

What they did with the Pentax z unsupported BS is also cringe worthy, nobody is asking them to support z, they purposely block it even though its the same sensor for fuji , hassy, phase one. If it was a small payment for existing users, it would be fine but C1 charges a whole new program price for minor upgrades. As many mentioned below, every year the updrading just renders the “life-time” meaning less.

The actual benefit of upgrading is questionable, but obviously it tries to force you to pay the “annual fee”, even you chose a “life time license”. Another good example is that as a subscriber, the upgrading is free! It tries to be better than Adobe, but anyone with a proper brain would realize that these is no difference. I am still using my lightroom 6 and adobe creative cs5. All I have to do is convert to dng. If they added features that i really care about maybe I will upgrade, I am not a digital artist.

I think i got capture 1 pro 12 on sale for half off still using it. All that money i saved all those years haha. It just seems like they’re not even trying anymore, and I’m not sure they even have software developers working on certain programs I guess, at least if you buy it outright, not only do you own a copy of the software, you are not forced into upgrading and can run the version you own for as long as you like and as long as you don’t need any newer features.

Subscriptions keep you paying money as if you would automatically upgrade to every new version and you loose the software the moment you stop paying.

The C1 styles are the single worst thing I have ever wasted my money on. Cost a fortune, all are a pretty poor. Do what I do and make your own styles. It really isn’t that hard. I would never purchase styles when I have bought the software that makes it possible for me to create my own. Most style packs come with maybe only one or two styles you would actually use anyway. Their styles are a complete waste of money for me.

The fact they went down this road to try to improve revenue weakens the product because you can not use standard LUTs to colour grade. I don’t expect any company to sell software and update it perpetually for a one-time fee. That’s not a recipe for survival. But I do expect upgrading to be optional, based on the benefits offered. No bang, no buck. Stitching and decent HDR would be something worth paying for. The ability to open files from 5 new cameras I don’t own would not be worth anything, yet I pay Adobe every month, regardless.

The lifetime licence means the software won’t time-out after a while. It doesn’t get you updates past the first year They hope users to upgrade, like every other software manufacturer. But you don’t have to, contrary to a subscription model. It’s easy to create your own styles, based on your own liking and taste. I don’t pay a subscription fee as, like you say, I don’t want to pay for features I wont use.

Also subscriptions only have two or three different versions of the software and after a while they drop the oldest version so you’d be forced to upgrade if you find a particular version you like. I prefer the ‘one off’ cost, then I can upgrade to a newer version several years down the line, therefore saving money in the long run.

We should be able to have a one off purchase on software and free camera compatibility upgrades. To me this would be the main reason to getting C1. They still have to spend time and effort supporting the R3, presumably they would have to charge you more for 21 in order to cover those costs Well it isn’t like they charge you extra money to support your new camera profile. Instead they also charge you money to support ALL the other cameras included in an upgrade.

So you are in essence paying for a support library far greater than your needs. It is one thing I liked about adobe. After all profile support should in fact not cost extra.

At least not hundreds of euros. It is work they need to do anyways after all. I’m on v20 right now but an upgrade will end up running me as much as a full license when it goes on sale, so unless they don’t run as many sales in the future or also put the upgrades on sale they’ve really devalued their upgrade pricing.

Please stop parroting marketing BS. This is not a lifetime license. But five years down the line, when you are forced to purchase a newer version compatible with your OS and or current camera RAW files, think of the money you saved not having to pay the subscription fee for five years. In this way they will continue taking your money indefinitely. At the end of the day, there is no difference to Adobe model.

If you are on MacOS, then yes the program will only be good for max 5 years before an os upgrade will break it. But on windows, well i still use Photoshop CS2 and I can’t see any reason to upgrade it.

And I still use Visual Basic 6 which is about 30 years old now and runs on windows If it’s any good, it’ll save me a round trip or two to other dedicated products. Just keep in mind that if you buy the manufacturer-specific version, all your RAW files from other manufacturers aren’t supported.

That used to be a really good deal. They usually do that about May each year if I remember correctly. And with the updates to Lightroom and the R5 profiles, I’m pretty sure I’m going to save money and go with Adobe now. But I’ll keep CaptureOne around as long s it’s viable for those special color adjustments.

To be honest that’s a pretty good deal, as you get to use C1 V21 now and then get another years use of C1 Seems ok to me, but I am on a subscription model for Nikon only. The biggest thing that forces you to upgrade is camera support, since older versions don’t support new cameras.

If you buy new camera bodies as they come out, you’ll probably need the latest version of Capture One. Even more reason not to upgrade your camera or software so often and make use of the perfectly good equipment you already have.

I’m generalising of course as everyone’s needs differ but I’d say for a lot of dedicated enthusiasts, this is probably true. I wish there was a subscription based version that lets you only edit maybe photos per months but costs only 10 bucks per month. I figure I’ll probably keep getting every other version I remember how much 5, images a year would have cost to develop and print in the days of film and your comment just seems out of touch and even a bit ludicrous.

SilvanBromide, umm, criticizing another poster of being “out of touch” and then relating to the costs of the film days at the same time In any case, I also think that 5k images isn’t actually that bad. I don’t have that many that I keep and still I find a software such as C1 very helpful. And that a few cents per image over the span of a year or two isn’t unreasonable compared to most of the alternatives digital OR film.

So you can pay for the next version now and get it later.. Yes I have the current C1 and have upgraded for some time, but its still, by a mile, the most expensive raw development software, with the worst noise reduction of them all – but of you want to just throw images into it and get results with a nice pop it isn’t bad Exactly my thought. The next versione is just around the corner so this buy one and get one free scheme is quite a stretch.

Perhaps this is a move away from enticing punters with discounts to buy sight unseen versions like last time. I don’t think this offer is aimed at people like you who already have the current version, but it can be enticing for those who don’t already have C1 or are on an older version. If you don’t know how to use NR properly, then you really shouldn’t comment.

I agree with those who are feeling burned by the increased cost of upgrading with very limited return, but to say that C1 is inferior at NR or pretty much any other major image alteration element simply is not in tune with reality. The full license and subscription pricing isn’t an issue for those who want the best possible RAW processing – and have done the proper comparisons with the offerings that have so clearly fallen behind.

I personally think it is great software that allows me to edit images in a very efficient way thanks to, for instance, the configurable keyboard shortcuts. However, it does have its peculiarities. Halos at the edges of darkened areas e. These can be corrected to some extent with negative structure.

I’ve done a lot of work on NR and I’m very comfortable saying C! Alas we can’t post sample images here. In C1P I found it still has a ton of artefacts after you lose the obvious noise I could get the people looking quite good, but everything else was nasty.

Plus annoyingly there will always be a deal along to make you feel bad if you paid the full price I’ll wait and see if they improved the database speed. I can open my image collection in Media Pro and search through it in 1 minute.

In Capture One it takes 1 hour. So I’ll stay on version 20 for now.

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